Corazon Tan Blanco PDF Free Download

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Corazon Tan Blanco PDF Free Download

Una Extraordinaria Novela Sobre Los Secretos Y Las Sospechas Que, Poco A Poco, Van Tiñendo Los Corazones Blancos Hasta Que Dejan De Serlo

Pocos Meses Después De Su Viaje De Novios Y Sin Aún Haber Podido, O Querido, Adaptarse A Su Cambio De Estado, Juan Se Entera Casi Sin Querer De Que Teresa, La Primera Mujer De Su Padre, Se Quitó La Vida Al Regreso De Su Propia Luna De Miel. Sólo Una Persona Conoce El Por Qué Y Ha Guardado Durante Años Ese Oscuro Secreto.

A Partir De Ese Momento, El Narrador Sentirá Un Creciente Malestar —un “presentimiento De Desastre”— Respecto A Su Recién Inaugurado Matrimonio, E Intuirá Que La Explicación Tal Vez Esté En El Pasado Y Por Tanto En Su Propio Origen. Lejos De Un Investigador, El Narrador De Esta Novela Es Todo Lo Contrario —un Hombre Que Prefiere No Saber, Consciente De Lo Peligroso Que Resulta Escuchar Y De Que, Una Vez Oídas, Las Cosas Ya No Pueden Olvidarse.

Impresionante Y Conmovedora, Corazón Tan Blanco Sutilmente Desarrolla Una Fascinante Doble Acción: La Del Pasado Misterioso Y Amenazante, Y La Del Presente Inestable Y Amenazado.

Founded In 1934 As Boletín Del Instituto De Las Españas At Columbia University, Revista Hispánica Moderna Is A Semiannual Peer-reviewed Journal Committed To The Dissemination Of Outstanding Scholarship In Hispanic And Luso-brazilian Literary And Cultural Studies. It Publishes Essays And Book Reviews In Spanish, English, Or Portuguese On The Full Spectrum Of Hispanic And Luso-brazilian Cultural Production In Europe, Latin America And The United States, And In All Historical Periods, From The Middle Ages To The Present.

This Is The Book That Really Made Marías’ Reputation And Deservedly So. It Is A Story Very Well Told As Well As Being One Of Those Books That Grabs You Because Of The Fine Writing, Regardless Of The Plot. The Title Comes From Macbeth – My Hands Are Of Your Colour; But I Shame, To Wear A Heart So White. Other Macbeth Quotations Will Appear In The Book And The References Are Relevant To The Story.

The Main Plot Line Concerns Ranz And His Wives. The Book Starts With A Recently Married Woman, Teresa, Having Dinner At Home With Her Family (Though Her Mother And Husband Are Absent). She Gets Up From The Dinner Table, Goes To The Bathroom, Takes Up A Gun And Kills Herself.

Why? No-one Seems To Know. Her Husband, Ranz, Later Marries Her Sister, Juana, And They Have A Son, Juan (Though We Only Discover His Name Later In The Book), Who Is The Narrator. He Has Been Led To Believe A) That His Aunt’s Death Was By Illness And B) That She Was His Father’s First Wife.

Both Suppositions Are, As He Will Discover (But Not From His Father), Erroneous. If The Story Were Merely About How Juan Discovered The Truth About His Aunt And His Father, This Would Still Be A Good Novel, But Marías’ Skill Is To Make Connections With Other Relationships, Including His Own And, Of Course, Including Macbeth’s.

Juan Is An Interpreter And Occasional Translator For International Organizations, Primarily The United Nations, But Also For Others, As Needed. His Wife, Luisa, Is Also An Interpreter And They Meet When She Is Supposed To Supervise Him When He Is Interpreting Between A Top Female British Politician (Thatcher?) And Her Spanish Counterpart.

They Have Nothing To Say To One Another, So Exchange Banal Civilities. To Liven Things Up, Juan Completely Misinterprets What They Are Saying, Expecting That Luisa Might Intervene, But She Does Not. The Result Is That The Two Have A More Interesting Conversation (With, Of Course, A Reference To Macbeth) Without Luisa’s Intervention.

Juan And Luisa Later Marry And We Soon Meet Them On Their Honeymoon, Where We First See Marital Discord From Afar. While Honeymooning In Havana, They Overhear The Couple In The Next Room – A Spaniard (Guillermo) With His Cuban Mistress (Miriam). He Has A Wife Back Home In Spain But She Is Very Ill. The Cuban Mistress Urges Him To Kill Her And He Maintains That, Slowly, He Is Doing Just That. We Never Find Out What Happens But That Scene Sets The Tone.

The Other Key Event Concerns Berta, Another Interpreter Who Lives In New York And Works For The United Nations And It Is In Her Flat That Juan Stays When He Does His Eight Week Stint At The United Nations General Assembly. Berta Is Twice Divorced. She Was Also Injured In A Car Crash, That Has Left Her With A Limp And Small Scar On Her Face. She Is Lonely And Has Joined A Videodating Service, Which Has Given Her Some Sex But Little Else.

While Juan Is Staying With Her, She Shows Him The Video Of A Man Who Conceals His Face And But Maintains That He Is Well-known. He Also Changes His Name Between Videos. Though He Speaks In English – Berta Has Mentioned In The Details That She Submitted To The Videodating Company That She Is Spanish – He Is Clearly Spanish, As The Two Interpreters Can Readily Tell From His Accent.

Juan Suspects That He Might Be Guillermo From Havana. The Man (One Of Whose Names Is Bill) Insists On Seeing A Video Of Berta Nude Before He Proceeds Any Further And How This Plays Out And The Subsequent Date Are Also Key To The Man-woman Theme Of This Novel.

Marías Is Such A Fine Writer That His Discursions And Comments, Particularly On His Own Marriage, But Also On His Father And His Activities (He Is An Art Expert Who, In The View Of His Son, Has Clearly Not Always Behaved Legally And Honestly With His Various Clients) And The Interpretation Business, Only Enhance The Novel Rather Than Distract From It. The Key Plot, Ranz’s Story, Which Does, Eventually, Come Out, Is Superbly Developed And Told. One Of The Top Post-war Spanish Novels.

Una Novela Hipnótica Sobre El Secreto Y Su Conveniencia Posible, Sobre El Matrimonio, El Asesinato Y La Instigación, Sobre La Sospecha, El Hablar Y El Callar Y La Persuasión: Sobre Los Corazones Tan Blancos Que Poco A Poco Se Van Tiñendo Y Acaban Siendo Lo Que Nunca Quisieron Ser.

«no He Querido Saber, Pero He Sabido Que Una De Las Niñas, Cuando Ya No Era Niña Y No Hacía Mucho Que Había Regresado De Su Viaje De Bodas, Entró En El Cuarto De Baño, Se Puso Frente Al Espejo, Se Abrió La Blusa, Se Quitó El Sostén Y Se Buscó El Corazón Con La Punta De La Pistola…»

Este Es El Ya Legendario Comienzo De Un Clásico Contemporáneo,corazón Tan Blanco, Cuyo Protagonista Y Narrador, Juan Ranz, Prefiere Siempre No Saber, Consciente De Lo Peligroso Que Resulta Escuchar: Los Oídos No Tienen Párpados, Y Lo Que Les Llega Ya No Se Olvida.

Traductor E Intérprete De Profesión, Es Él Ahora El Recién Casado, Y En Su Propio Viaje De Novios, En La Habana, Asomado Al Balcón, Es Confundido Por Una Desconocida Que Espera En La Calle, Y Sin Querer Escucha Una Conversación De Hotel. A Partir De Entonces «presentimientos De Desastre» Envolverán Su Matrimonio. Pero La Clave De Ese Malestar Quizá Esté En El Pasado, Pues Su Padre Hubo De Casarse Tres Veces Para Que Él Pudiera Nacer.

Reseñas:
«como Siempre Con Javier Marías, Las Aventuras Más Divertidas Y Apasionantes Se Desarrollan Paralelamente Con El Análisis Más Exacto E Intelectual»
Libération

La Escritura Muestra Una Astucia Tremenda Y Un Grado Diabólico De Paciencia… Alcanza La Precisión De Un Miniaturista»
Le Nouvel Observateur

Tan Singular Como Brillante… Una Novela Entretenida E Inteligente»
The Washington Post